A couple of weeks ago, I shared a link to an article I wrote about masking fluid for the online art magazine, EmptyEasel. You can read that article here.
I also experimented with masking film on the same drawing. In this week’s post, I’m describing the process I used and comparing masking film and masking fluid.
Using Masking Film with Colored Pencil
Here is the portion of the drawing I wanted to work with.
Instead of painting masking fluid onto the paper (as you do with masking film), you cut it to size and shape, carefully lay it over the area you want to mask, then smooth it down with a fingertip.
There are two primary ways to use masking film. Film can be placed over the drawing and the design cut from it or you can draw on the masking film, cut out the mask and lay that over the drawing. You don’t need to wait for it to dry, which is a bonus. You can also create more intricate masks more easily with masking film than with masking fluid.
I chose to draw the pattern on the masking film and cut it out, then place it over the drawing. Why? Because I didn’t want to run the risk of cutting through the film, which is very thin, and into the paper. In hind sight, it would have been better to place the film over the artwork and carefully cut away the parts I didn’t want. It would have been no more time consuming and would have resulted in a much more pleasing masking.
However, I took the more cautious route and ended up with a good (not great) masking.
Once the masking film is in place, the drawing process is the same. Work around and over the masked area until it’s finished.
One way the film is different than masking fluid is that I couldn’t work over the masking fluid without lifting it. Masking film, on the other hand, was easy to work over, even with medium or heavier pressure. It didn’t move or pull up or otherwise interfere with the drawing process.
When I finished the background, I removed the masking film by carefully pulling up an edge with a fingernail, then carefully pulling the piece or pieces up until it’s completely removed. The film came off easily and without leaving residue. Another advantage to film over fluid.
Here is what the drawing looked like after I’d removed the masking film.
Masking film worked extremely well for this purpose. Better than the masking fluid (read about that here).
But in retrospect, I would do things differently. I would
Apply the masking film to the drawing before any color was applied.
Lay down a piece of masking film large enough to cover the drawing.
Carefully cut away the parts I didn’t need.
These changes in method would allow me to create a more accurate mask and that would result in a more realistic area, instead of this blocky look.
All is not lost, however. There may still be hope for the mane. If there is, I’ll be sure to let you know how it turned out!
Next week, I’ll tell you how the background developed from a single layer of medium value Peacock Green to this wonderful deep, dark in just two days. I hope you’ll come back for that.
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