We’re all looking for good tips on drawing reflections on water, aren’t we? Water is notoriously difficult to draw well, and it’s certainly the concern of Cindy, who asks today’s question.
Hi. First I’d like to say thank you for your help.
I’m trying to do a sailboat, with reflections on water. If you have some tips that would be great. Cindy
What a great question, Cindy. Thank you for asking! I know there are many others anxious for the answers.
Drawing water is a topic capable of taking up several full-length tutorials. Rather than wait until I can do a tutorial, I’ll share a few basic tips that apply to drawing any kind of reflections on any kind of water.
Tips for Drawing Reflections on Water
To All Perfection There is An End
Water is fluid. It looked different the instant before your reference photo was taken, and it looked different the instant after. It will never look exactly the same again. Not that anyone will notice, at any rate.
So don’t fret over trying to get every single detail correct. Instead, focus on the general shapes and the overall character of your subject and its reflection.
Here’s a very nice picture of trees along a riverbank. The colors are beautiful and the reflections are interesting.
But there’s an awful lot of information in the photo. All those reflections look overwhelming, don’t they?
Let’s look at just the reflection. Still a lot going on, but now the focus is on the shapes in the water.
And that’s where you begin to see that all these shapes are really abstract shapes. They fit together like a jigsaw puzzle. Draw each piece, make it close to the right size, shape, and color, and when you finish you have a reflection!
Try a Different Point of View for Drawing Reflections
The human brain has an uncanny ability to observe. After we’ve seen something often enough, our brain learns what details should be there, even when the eye cannot see them.
That’s good…except when you’re drawing something. Why?
Because after a while, your brain begins telling you what should be in a picture, instead of letting your eye see what’s really there. An example.
I’ve been drawing horses for over 50 years. When I draw horses now, it’s automatic to draw a hoof in a certain way. My brain has learned what a hoof looks like in general, so it assumes that all hoofs look like that. The problem is that no two hoofs are exactly the same. I MUST let my eyes (rather than my brain) tell me what to draw.
The same thing applies to any subject. Even if you’ve never drawn a reflection on water before, you’ve seen enough of them that your brain thinks it knows what a reflection looks like.
You need to quiet your brain so your eyes can see what’s really in your reference photo. One method is turning your photo upside-down. Work with your drawing turned upside down, too.
Your eyes see this and your brain says, “Ah ha! Something new to look at!” You’re immediately able to see the shapes and colors not as a reflection on water, but as a collection of abstract shapes.
Here’s a different image. Notice that the whites in these boats are lighter than the whites in the reflections. The reflected colors are also darker than the boats.
Under most circumstances, any reflection on water will be darker than whatever is being reflected. The difference between the subject and the reflection varies depending on time of day, atmospheric conditions, and the nearness of the object to the water, but there will always be a difference.
What’s more, the further the reflection gets from the object, the darker it gets. Look how much darker the reflections are at the bottom of the image.
Values Not Color
Get the values right and getting the colors right isn’t as important. Get the colors right, but miss the target on values, and your drawing will be dull and lifeless. Flat.
Of course there are times when contrast will be low. Night scenes, foggy scenes, and similar settings will have less contrast than a middle-of-the-day, brightly lighted scene.
But it’s still important to draw enough contrast so the drawing makes sense. That’s why I like doing an under drawing so much. An under drawing allows me to work out the values enough that the under drawing could be a standalone drawing. It’s the substance of the drawing. The color is a wonderful addition.
The key to drawing water—or anything wet or highly reflective—is the quality of the edges between values and colors. Most of them are pretty sharp. There are abrupt changes between values and colors, as you can see here.
Yes, there are some value and color shifts that are more subtle, but they are much less frequent than if you were drawing something soft or dry. So pay attention to those edges and make sure they’re crisp and clearly defined.
Even when it doesn’t look right while you’re drawing it.
Those are My Tips for Drawing Reflections on Water
These are not the only important considerations when drawing reflections of any type, but they are the most important basics in drawing water correctly. Once you master these, the rest is, well, clear sailing!
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