Is color the most important thing to get right in your colored pencil drawings?
A lot of beginning artists believe color is the most important part of drawing. Or painting, for that matter. Just look at all those gorgeous Classical paintings or brightly colored contemporary art. The color is often enough to make your mouth water, isn’t it. It has to be important.
Color is important.
But it’s not the most important thing to get right.
The Most Important Thing to Get Right Is…
The range of lights and darks in your drawing will make or break it, no matter how accurate your colors. Especially if you draw in anything like a realistic style. Get the colors spot on, but do nothing with values, and your drawing is flat.
Get the values correct, however, and even if you don’t use any color at all, your drawing will look like what it’s supposed to look like.
Let me show you with a simple illustration.
One Color Without Value
Here’s a ball. Drawn all with one color. I’ve layered the green as evenly as possible over the paper. It’s a nice shade of green, and pretty. But is it a ball?
No. It’s a circle, because every part of it is the same darkness of green. There are no shadows, and there are no highlights. In other words, it’s all the same value.
Maybe it’s just not dark enough. Let’s make it a little darker and see what happens.
It is darker. More of the paper holes are filled in and the green is richer, but…
…it’s still all the same value. It’s still a circle, not a ball.
Here it is as dark as I could make it. Now it has a nice dark value, doesn’t it? I’ve done as much with the color as I can.
But it’s still all the same value. It’s just darker. And it’s still not a ball. Not even close.
One Color With Value
Okay, back to square (circle) one. Same color, same single value. Same result.
This time, however, instead of darkening the whole thing, I’m going to darken just a part of it: The part that will be in shadow. A couple more layers and a little more pressure, and we’re getting somewhere! Finally!
Let’s make that shadow a little darker. Even better.
But it’s not quite there yet. I’ve gone as dark as I can with the color I’m using. What am I missing? Back to the drawing board.
One Color With Full Value
For this illustration, I lifted a little bit of color to create a highlight on the opposite side of the shape from the shadows. You can also work around highlights to get brighter highlight areas.
I used the same green as for the other circles, but also added a slightly darker green to darken the shadow a little bit more.
Now, finally, we have something that looks like a ball! All it needs is a cast shadow and it’s good.
But can it be made to look even more like a ball?
Two Colors and Value
Now I’ve added a shade of blue that’s a little darker still to the shadows on the ball. It’s not a big difference, but it is a difference.
Good Even Without Color
Now to show you that it really is the value, not the color, that turned this circle into a ball, here’s the illustration above converted to gray scale. No color, just shades of gray.
So the Most Important Thing to Get Right Really is Value
Adding value to the color is what makes a circle (or any other shape) look three dimensional. The color is like the skin. The value is the body.
Value is, beyond all doubt, the most important thing to get right in any form of drawing or painting if you’re doing realism. That’s why I often recommend to artists new to colored pencil that they start with just a few high-quality colored pencils and learn to use them well.
Learn to draw value with just a few colors, and you’ll be able to draw anything with as many–or as few—colors as you wish.