A reader recently asked about tips for drawing dogs and puppies. An excellent topic, and one I could spend an entire month on without doing more than just scratching the surface. Here’s the question.
I would love more instruction on drawing dogs, any and all kinds of dogs and puppies. Thank you so very much for all you do! Deb
First of all, thank you for the question, Deb. I don’t get the opportunity to talk much about drawing dogs because most of my drawings have been of horses, or landscapes, or horses in the landscape.
Colored pencil artist Peggy Osborne and I are working on a full-length tutorial on drawing a long-haired dog. Peggy’s doing all the hard work, but she’s doing a fantastic job. That tutorial is coming on Saturday and I know you’ll love it.
To get us ready for the tutorial, I’m going to share a few basic tips for drawing dogs and puppies of all sizes, types, and breeds—things that apply no matter the type of dog—and follow up with a few specific tips for drawing different types of dog hair.
A Few Basic Tips for Drawing Dogs and Puppies
Draw What You See; Not What You Think You Know
Dogs come in all shapes and sizes. Large and small. Long haired and short. Straight hair, curling hair, sweeping hair. Hundreds of color combinations. It’s important to look at the particular dog you’re drawing and draw what you see; not necessarily what you know about dogs in general.
It’s doubly important if you’re subject is a breed of dog in which all the members look pretty much alike. Weimaraners, for example.
This applies to anything you might draw, so it’s a good rule of thumb for all subjects. But it’s especially applicable to drawing dogs.
Get to Know Your Subject
Things to take special note of are:
Proportions: How long are the legs compared to the length of the body? How big is the head? How long is the neck?
General Appearance: Do the ears stand up or fold over? How long is the tail? What type of hair does the dog have? What colors and how many different colors are in the dog’s coat?
Character & Attitude: If you get a chance to meet the dog, take time to just watch it. Is it an active dog? Bold or timid? Playful or sedate? You can use all of this information to capture more than just how the dog looks. Getting the character right is especially important with portrait work, so if you can’t visit the dog, ask the owner what their pet is like.
Make Sure Your Line Drawing is Accurate
There’s no way to fix a bad drawing once you’ve started adding color. Believe me. I’ve tried it! You can layer, glaze, and blend like Michelangelo, but you won’t be able to hide a poor drawing.
It’s well worth your time to make the very best line drawing you can even if you have to work through several revisions or use aids like projectors, light boxes or tracing paper.
Take Your Time
Colored pencil is a naturally slow medium, so don’t rush yourself. Take time to study the subject before you put pencil to paper, and take time with the line drawing.
Then expect to take at least that much time and probably more to do the layering, blending and rendering. If you find yourself rushing through something or getting careless in how you put color on the paper, stop! Step away from the drawing and take a break!
A Few Tips For Drawing Dog Hair
Other than the overall shape of a dog’s body, color and hair are the most noticeable traits. Get those right and you’re more than halfway to drawing a good likeness of your subject.
But hair is a difficult thing to draw. For some artists, it’s their least favorite part of drawing portraits or animal art. I happen to love hair. The longer the better! That’s one of the reasons I have so much fun drawing horses.
So I’m going to followup basic tips with suggestions for drawing three types of dog hair: Short, medium length, and long.
Keep in mind as you read these tips that there are different types of hair within each of these much broader categories.
- Start with the best possible reference photo. You can’t draw what you can’t see.
- Take extra time to map out the basic hair growth patterns and values in your line drawing. It’s a lot easier to correct errors at this stage than after the drawing is half done.
- Begin with initial layers that are evenly applied.
- Use directional strokes that follow the pattern of hair growth, but don’t try to draw every hair. That will leave you disgusted and discouraged, and will also not look all that great.
- Use more obvious hair-like strokes where color or value changes. Between a highlight and middle value, or between a marking and the regular coat color.
- Other places that define the length and type of hair are over body contours, around the head, neck and ears.
NOTE: This sample actually from a horse drawing, but the coat type is the same as many short haired dogs.
Use sharp pencils and careful stroking to lay down even color. Keep your strokes short and overlapping. Pay special attention to the direction of the hair where it’s most obvious, such as along the edges between colors and values, or over the contours of the body.
Medium Length Hair
With medium length and longer hair, make more use of pencil strokes. Don’t draw every hair, but draw more texture in the middle values than you would with a short-haired dog.
Also be aware of the direction of hair growth. It’s important all over the dog’s head and body, but is especially vital along the outside edges of the dog, and where the skin curves over muscular and skeletal structures.
This detail shows the area across the dog’s chest, and shows how the hair is also slightly curly. It’s not straight hair. Pay attention to the type of hair as well as the length and growth patterns.
Long hair is the delight of some artists—myself included—and the bane of others. It looks so complicated when you first begin.
The key is to break down all that wonderful hair into smaller sections, such as the “moustache” on each side of the muzzle, the curving hair over the eyes, and the “bib” under the head.
Then break down each of those areas into groups of hair.
Whatever you do, don’t draw every single hair.
Also make use of the color of your paper whenever possible to serve as a middle value, as I did in this sample. This “almost-a-sketch” portrait was drawn on a light earth tone paper that allowed me to draw only the darker values. In hindsight, it would be better with a darker paper on which I could have also drawn a few highlights.
And there you have it: A few short tips for drawing dogs and puppies of all ages, breeds, and types.
If you have specific questions about drawing dogs or puppies, let me know that, too.