How to Draw a Golden Retriever

Welcome Peggy Osborne back in 2020 for another of her wonderful step-by-step tutorials. This time, she’s showing us how to draw a Golden Retriever.

Here’s Peggy.

How to Draw a Golden Retriever

For this tutorial I decided to draw a golden retriever as I see a lot of people struggle with the coloring of Goldens.

Goldens come in a variety of golden tones from a deep red to a pale, almost white golden color. This Golden Retriever is a mid-range golden color. I chose this reference for his sweet expression, which is common to this breed.

Here is the reference photo from Pixabay. I cropped the original a bit.

How to Draw a Golden Retriever - The Reference Photo
Image by skeeze from Pixabay

I’m drawing this on Strathmore Toned Tan Mixed Media Paper. I thought the color would be a nice background to work on, giving a warm glow to the final drawing.

Start with an Accurate Line Drawing

I start with a sketch showing the details I want to draw and the placement of the important features.

How to draw a Golden Retriever beginning with a detailed line drawing.

Getting the Eyes Right

I usually always start with the eyes. If they are not right then the rest of the drawing won’t be either.

The reference photo shows reflections of the window and shadows in the eye. I want to try to convey this in my drawing, so I start by placing those highlights with White.

Then I start layering Sienna Brown, Chocolate, Light Umber, and Dark Brown into each eye using a sharp point and light pressure to build up the layers slowly. I outline the eye and draw the pupil with Black, and use Blue Slate in the highlights.

How to draw a Golden Retriever. Get the eyes right and the portrait is more likely to succeed.

To finish the eye, I use Greyed Lavender, White, and 70% French Grey around the eye.

Next, Draw the Hair Around the Eyes

Remember to always look closely at the reference photo and observe how the fur is arranged and growing. Start at the root of the hair and draw outward the way the fur grows. This gives you a sharp line at the end of the hairs and makes the hair look more natural.

You don’t need to use the same colors I use, these are just guidelines. I use Prismacolor pencils and if you use different pencils the colors will be slightly different, but you’ll still be able to succssfully draw this portrait.

I use a variety of colors to build up the layers; Cream, Rose Peach, Sienna Brown, Beige, Light Umber, Chocolate, Goldenrod, and Dark Brown.

Drawing the Face & Ears

I continue drawing the hair by marking the lightest areas with White.

Then I begin building up layers with lighter colors such as Light Umber, Beige, Peach, Sand, and Goldenrod, working from light to dark. In the darker areas, I use Light Umber, Chocolate, and Dark brown.

I continue layering those colors, but if I see another color in the reference photo, I add it as I work.

In addition, I keep drawing hair-like strokes in the direction the fur grows.

I lay in the darkest areas in the ear with Sepia and Light Umber. I wash the whole ear with Sand using a light touch.

Next I use White in the highlighted areas of the ear to create depth. Then I use a wash of Beige before going over the ear again with layers of Sepia and Light Umber to create more shadows.

With each layer, I draw more details in the ear, repeating the same process with the colors mentioned until I am finished.

I also added Peach, Sienna Brown, Chocolate, Dark Brown, and Burnt Ochre.

When the ear is finished, I move to the other side of the face and ear using the same method and colors.

Continue checking the reference photo as you work, and look for the color placement and apply colors accordingly.

The Muzzle and Nose

Here I’ve added more details to the far ear, and then started the muzzle. I drew the light and dark areas lightly with White and Light Umber to show the contours of the face.

I finish the muzzle using the same colors as the rest of the fur.

To make things easy on myself, I keep all the colors I use as I work in a separate container so I don’t have to look for them among all my pencils. I can just reach for the one I want and it’s right there.

To start the nose, I mark the highlights with White and the darkest areas with Black. The nose has a fleshy look so I use Rosy Beige, Clay Rose, and Peach as base colors. For the darker areas, I use Sepia and 90% Cool Grey.

Drawing the Neck and Chest

The next area is the fluffy hair beneath the chin and ear. I draw in the area with Light Umber. This area will go fairly quickly as it doesn’t have the details that the face has, and I will use solvent to blend it later.

Using various colors as previously stated, I add several layers of color so I can use the solvent to blend them smoothly. You need 4 to 5 layers to get a smooth blend when using solvent.

I use a light touch and draw lines to show definition in the fur and shadows. Sometimes, I also use the pencil on its side, softly creating a wash over the whole area. I repeated this step until I got the drawing where I wanted it.

Once the main colors are in place, I continue adding more layers and details, still using pretty much the same colors throughout the piece.

For the solvent blend, I apply the solvent with a little brush and make sure to follow the direction of the hair with the brush. This softens the colors without completely blending them and makes them look more natural. The solvent also makes the colors look brighter.

The next step is adding fine hairs and highlights with Brush & Pencil Titanium White Mixture. I apply this with a small brush over the areas I blended with solvent. You can see this in this photo.

The Final Steps

Just before finishing the drawing, I place it in a comparison split photo to see how the colors compare side-by-side.

How to draw a Golden Retriever - comparing the reference photo and portrait in color to check color accuracy.

I needed to add more Goldenrod and Greyed Lavender. I also added Dark Umber in the dark areas and then went in again with the Titanium White mixture to add more depth.

To add whiskers, I first used White, then went over them with Titanium White mixture to punch them up.

Then I converted the reference photo to black-and-white for a comparison of values without color.

How to draw a Golden Retriever - comparing the reference photo and portrait in black-and-white to check values.

This is the finished piece.

How to Draw a Golden Retriever - The finished portrait.

So Now You’ve Seen How to Draw a Golden Retriever the Way Peggy Does.

My thanks to Peggy for another great tutorial.

I hope you enjoyed this tutorial and are now ready to try your hand with a Golden Retriever portrait.

Or maybe you’d like to see other tutorials by Peggy, including How to Draw a Long Haired Dog. They’re all packed with good information and beautiful illustrations.

About Peggy Osborne

See more of Peggy’s work at Pet Portraits by Peggy. You can also meet Peggy in the January issue of CP Magic.

Peggy is an accomplished self-taught artist living in Canada specializing in creating beautiful realistic portraits of pets and family members. She’s had an on going love affair with colored pencils, loving their simplicity, for as long as she can remember.

She started out using graphite pencil so it was an easy transition to carry on with colored pencils. Love of animals and art go hand in hand. Peggy is in awe of what can be accomplished with colored pencils.

How to Draw Black Fur with Colored Pencils

Welcome Peggy Osborne back for a step-by-step tutorial showing you how to draw black fur.

Peggy’s tutorial comes in response to discussions about the difficulty of accurately and realistically drawing black fur that she’s seen (and participated in) on social media. As an artist specializing in horses for so many years, I know from personal experience how difficult black can be.

So here’s Peggy to explain how she dos it!

How to Draw Black Fur Step-by-Step

by Peggy Osborne

I hear it all the time.

Drawing black fur is hard. How do I keep from just having 2 eyes floating in a black blob?

Black fur does have variations in shading and can also have a number of other colors in it depending on the lighting. The fur in shadow is very dark while the highlighted fur is lighter. Those highlights are where you see different colors.

If the lighting is warm, you will see tones of peach, golden colors, browns. If the lighting is cool, you will see tones of blue, violet, greens.

In this reference photo, I see a lot of cool colors in the highlights.

The reference photo for How to Draw Black Fur
Image by brandog from Pixabay

I will be drawing this with Prismacolors and a few Polychromos colored pencils on light grey Pastelmat paper. The nice thing about Pastelmat is that you can layer light colors on top of dark colors. Although I usually always work from light to dark, this will help to add more details in the end.

Getting started with the eyes and face

My first step is to draw a detailed map/sketch of the reference.

The line drawing for How to Draw Black Fur

Then I start with the eyes using various brown, orange, and cream tones.

How to Draw Black Fur - Drawing the Eyes

For the black fur, I started out layering White, Light Blue, Greyed Lavender. I gradually add layers of fur-like strokes with darker colors like Cool Grey 20%, Slate Grey, and 50% Cool Grey.

I keep adding darker strokes of Violet and Indigo Blue. In the very darkest areas I use strokes of Black in random areas to give the fur a more realistic texture.

Blocking in and drawing the rest of the head

I start blocking in the rest of the head with initial light layers to show where the darks and lights go. I use a light touch and draw in the direction that the fur grows.

Here I have used White, Light Blue, Greyed Lavender, and Slate Grey.

As you can see these drawings require lots of layers to achieve the realistic look I’m aiming for and the Pastelmat paper is perfect for that as it holds lots and lots of layers.

How to Draw Black Fur

This ear was completed with many, many layers of Light Blue, Indigo Blue, Greyed Lavender, Violet, Cool Greys, and Black. I repeated the layers, adding the lighter colors in the highlights and darker colors in the deep shadows.

The first layers are applied with a light touch, and I increase pressure as I build up layers, always looking at the reference photo, and following the way the fur grows.

Trying new tools

With this portrait, I tried a new product, to me, to pull out little hair like textures…. The Slice tool. I’d heard many good things about it and decided to try it for myself.

It works very well. You can see where I used it along the top edge of the ear where I was able to create some little hairs for more texture.

Finishing the head and ears

For the next steps I basically follow the same process as before. Layering the colors following the direction of the fur growth. I use the same colors throughout the dog since he is the same color overall.

I’ve completed the left side of the face and started on the other side and ear. This photo shows about 4 or 5 layers.

How to Draw Black Fur - Drawing the face and head.

This photo shows 4 or 5 more layers.

I will probably add another 4 or 5 layers to complete this section, maybe more. The Pastelmat paper has a different finish than regular paper and it takes many, many layers to fill the tooth of the paper. I like to fill the tooth of my paper when I work, not leaving any little dots of the paper showing through.

Drawing the muzzle

Always make sure to follow the reference photo very closely. I’m layering the same colors I have been using throughout, blues, Greyed Lavender, cool greys, Violet, etc. I use White in the lightest areas.

I’m using a sharp point and a light touch going with the direction of the hair growth.

The next steps on the muzzle are just adding more and more layers, alternating colors and adding the lightest colors to the lighter areas and the darker colors to the darker areas. I continued this process up along the right side of the face and ear finishing off that area.

Once I have as many layers as I need, I use the Slice tool to scrape out some teeny tiny hairs along the muzzle to add more texture.

I also scraped out a few more highlights along the ears and where the light hits the face and bone structure. I use Black along with my darkest cool grey and Indigo Blue to really punch up the darkest shadows.

The nose is basically an extension of the muzzle using all the same colors. I use a circular motion with a light touch when drawing the nose, building up the layers as I work.

The nostril is super dark as it is in shadow and the top of the nose is in highlight. In the end, I take my electric eraser and tap the nose erasing tiny dots from the nose to add texture.

Drawing the Black Fur on the Chest

The next two photos show the chest area. There should be less detail here so the focus on this lovely dog’s face is not lost. I use the same colors but use a looser stroke. I laid out the darkest areas with black and the lightest areas with white. The mid layers are created using violets and blues.

Then I continue adding layers with all the other colors I have used throughout this painting. I still follow the direction of the fur but with a looser stroke.

Here is more done on the chest area, once again just building up those layers.

Making Adjustments and Adding Final Details

At this point I use the reference photo to compare values and color to each other. I can see I need to add more violet to the painting and darken the overall picture.

How to Draw Black Fur - Side by side comparison of the reference photo and portrait help you see where you need to make color and detail adjustments.

So I add a wash of Black Grape throughout the dog, and Black in the darker areas. Then I use solvent to smoothly blend all this together. This gives the more realistic look to the painting and looks more like the reference photo.

TIP: When doing commissions you want to continue to look at the reference photo to get as close a likeness as possible. You aren’t just drawing a dog, you are drawing the client’s dog.

Finishing off the muzzle and chin area with all my blues and cool greys. I used the Slice tool to add the whiskers .

One last step I do to check values is to turn the original and art into black and white.

How to Draw Black Fur - Convert your reference and portrait to black-and-white for a side-by-side comparison of values.

I finished tweaking the portrait by zooming in to areas on the original photo and putting in as many details as I can see on the drawing. Little stray hairs along the ears, (scraped out with the Slice tool) , adjusting the nose just a bit and overall highlights and darkening in areas that need it. And a few more whiskers.

And here is the finished piece.

How to Draw Black Fur - The finished portrait.

Hope you have enjoyed it as much as I enjoyed working on it.

Now you’re seen how to draw black fur using Peggy’s method.

Use the same process to create your own drawings of animals with black fur.

If you missed it, check out Peggy’s previous tutorial, How to Draw a Long Haired Dog.

About Peggy Osborne

Peggy is an accomplished self-taught artist living in Canada specializing in creating beautiful realistic portraits of pets and family members. She’s had an on going love affair with colored pencils, loving their simplicity, for as long as she can remember.

She started out using graphite pencil so it was an easy transition to carry on with colored pencils. Love of animals and art go hand in hand. Peggy is in awe of what can be accomplished with colored pencils.

See more of Peggy’s work at Pet Portraits by Peggy.