Back in December, when we were in the middle of question-and-answer month, a reader asked if it was possible to dry blend on regular paper. I don’t remember the specific question. Nor do I remember my specific answer, but I’m fairly certain I told the reader it wasn’t.
I answered that way because I dry blend on sanded art papers, which produce enough pigment dust to make dry blending effective. Quite frankly, I’d never tried it on traditional paper.
I’m training myself to draw for at least half an hour at the beginning of every day and I’m currently working on a landscape on Canson Mi-Teintes. It’s for myself and is a bit of an experiment, so I’m trying things on this drawing to learn what works (and doesn’t work) on the next drawing on the same paper.
During one morning’s drawing session, I remembered the reader question and thought, What the heck? Lets see if it’s possible to dry blend on regular drawing paper.
I’ll show you the results in a minute, but first, let me explain dry blending.
What is Dry Blending?
Dry blending is a method in which you use a tool other than a pencil to blend. Technically speaking, layering is also dry blending because you’re not using solvent to blend, but when I speak of dry blending, I’m talking about something else.
I use a bristle brush, but you can also dry blend with paper towel, bath tissue, facial tissue (without lotion!) or clean, soft cloth.
After you’ve layered the color, use a bristle brush (as shown below) to rub the color around. I use an old, worn out bristle brush because it was handy and I have more control. The short bristles also allow me to put a lot of pressure on the paper if neceesary.
Dry blending on sanded art paper pushes pigment dust down into the paper. It’s a great way to fill in the tooth of paper and use that dust instead of throwing it away. Win-win!
Dry blending on sanded art paper makes a major difference in color saturation. If you don’t want to use solvents, this is a wonderful alternative.
I used a very well worn #5 bristle brush for blending. I dry blended after just a few layers, and after a lot of layers. For each test, I dry blended between colors, then drew over the dry blend.
Can You Dry Blend on Regular Paper?
Now you know what dry blending is and how I use it on sanded papers like Clairefontaine Pastelmat, Fisher 400, and Uart Sanded Pastel paper.
On to the original question about dry blending on regular paper. I used Prismacolor pencils and blended with the bristle brush as described above.
Here’s what I learned.
Artagain is an archival drawing paper made from recycled paper and produced by Strathmore. It’s smooth like Bristol, but has a bit more velvety feel. I don’t use it very much, but it’s a good paper for drawing detail.
I didn’t know what to expect from dry blending on a paper like this. As you can see from the unblended half on the left below, it’s easy enough to blend by layering.
But I tried dry blending with my trusty brush. It seemed like that removed as much color as it blended, but there was still a noticeable difference.
However, I had to use medium to medium-heavy pressure to get this result. I could have achieved nearly the same results by layering.
Bristol is a very smooth illustration and drawing paper available in two finishes: regular and vellum. Both feel “slick” to me but I keep Bristol vellum in stock because I can’t beat it for some subjects.
After the results with Artagain, I almost didn’t test dry blending on Bristol. It didn’t seem useful and I expected much the same results.
As with the Artagain paper, it is possible to dry blend color, but it requires quite a bit of pressure. It may be easier to dry blend on smoother papers with tissue or a cloth.
Canson Mi-Teintes paper is made for pastels, so it has a lot of tooth, even on the smoother backside. It stands up well to layering, erasing, and solvent blending.
As it happens, it also stands up well under dry blending.
It produces very little pigment dust during drawing, but take a brush to it and you’ll have enough pigment dust to fill the tooth nicely. And quickly.
I tried the front and back, since I’ve used both sides for colored pencil work.
I had to use different strokes and quite a bit of pressure to blend this well. The more color on the paper when you blend, the more effective dry blending might be on the front of the paper.
And here’s what dry blending looks like on the back.
Although Canson Mi-Teintes doesn’t produce pigment dust while you draw, it does produce enough while dry blending to make dry blending effective. It is fairly easy to dry blend; easier than the smoother papers, but experience so far suggests dry blending works best for softening color, value, and edges rather than creating smooth color.
You Can Dry Blend on Regular Paper
I’ve discovered that the more tooth, the better the results. I still get the best results on sanded papers.
But if this method interests you, then by all means give it a try. Just because it doesn’t work for me doesn’t mean you won’t get stunning results.