Dan Duhrkoop, founder of EmptyEasel and author of How to Draw Exactly What You See, asked if I would provide a review of his book if he sent me a copy.
I love books, reading, and art, so I said, “Sure!” (Who doesn’t like free, if it’s something they can use?)
Ordinarily, I don’t accept freebies because it almost always leads to unwanted obligations. But I’ve been freelance writing for EmptyEasel since 2012 and have a good working relationship with the author of this book, who is also the founder of EmptyEasel.
Even so, my review is unbiased. I’d say the same things if I’d purchased the book on my own, and didn’t know Dan!
So let’s get to it, shall we?
How to Draw EXACTLY What You See – My Review
From the Introduction:
Whether you’re a brand-new artist with zero training, or a more experienced artist looking to improve your drawing skills, this guide will teach you everything you need to know to look at a still life scene and draw it EXACTLY as it appears.
I’m not a still life artist. I love looking at well done still life artwork, and I can look at the produce section in the grocery store and see sorts of possible subject. But that’s as far as it usually goes. I have next to no interest in drawing my own. So I wasn’t sure what this book could offer me or how it could help me improve my drawing skills.
One look at the cover, and you may be thinking the same thing. Don’t let that put you off. If you do, you’ll be missing a great opportunity.
And if you do enjoy still life drawing of any kind—in studio or plein air—then you’ll want this book. It covers every step of the process from basic composition and setting up your own still life to sketching what you see and rendering it realistically in graphite.
If you’re just getting started drawing, the book also contains over a dozen high-quality still life images from very easy to quite complex. You’ll start out ahead of the game!
Putting the Draw EXACTLY What You See Method to the Test
As I mentioned, I’m not a still life artist, but I did intend to do some still life drawings just to see how they turned out. A number of things derailed that plan, so my first trial with the author’s drawing method concerned a dog portrait I’d been having fits trying to get right.
That difficult portrait line drawing turned out so well using Dan’s drawing method that I decided to try another one for this review. I am so glad I did!
My Demo Subject
This is the reference photo I chose for this demo. I chose it for two reasons.
The first and most important is that the cat is our oldest cat, Thomas. We’ve had him since mid-2003, when we saw him and a litter mate playing in the gutter while we were out walking. They were our first rescues. Thomas recently died and I wanted to do his portrait.
Second, I have always loved the golden light of late evening and liked this photo of Thomas, taken when he was at his prime. Now that he’s gone, that westward gaze into the sunset seems somehow appropriate.
Second, the drawing method described in How to Draw EXACTLY What You See starts with marking off each of the places where the subject leaves the composition. This photo of Thomas focuses so closely on his face and eye that one ear leaves the composition as well as the back of his neck and his upper chest. That made it perfect for this demo.
Preparing the Image
Since I wasn’t working from life, I had to make a few adjustments. But I prepared the reference photo as much according to the steps in the book as possible.
I used GIMP (a free photo editor download) to add a wide white border around the reference photo and then mark with a red line each place where an edge leaves the composition. Edges included Thomas’ markings.
Then I printed the reference photo above, and the picture plane (below) on a blank sheet to draw on. I was able to do that because I put the border and marks on a separate layer added to the photo in GIMP. All I had to do was hide the image and print the new layer. (If you’d like to see a tutorial on that, let me know.)
How to Draw EXACTLY What You See
Step 1: Start with negative spaces
The first step is to make a contour drawing of the negative space using the edge markings as a guide. However, I was so focused on drawing Thomas that I totally forgot that step.
Had I remembered, these blue shapes are the shapes I would have drawn. All of the light blue is negative space. Just two large, fairly simple shapes. (That’s another reason I chose this reference photo.
Draw the negative spaces as accurately as you can. According to the author, this is a good way to “trick” your brain into accurately drawing shapes instead of drawing what it thinks it sees.
Don’t be frustrated if it’s difficult at first. Just choose a mark and draw the shape as best you can. Measure and erase if it needs correction.
Step 2: Rough in the subject
Next, block in the subject with light pressure and loose lines. I didn’t draw very many interior details and instead focused on the big shapes. The eye, the ear, and the nose and mouth.
I roughed in the dark patches of hair, too, but only because they’re such a big part of the drawing.
Step 3: Start drawing details
When the rough sketch was as accurate as I could make it, I went back over the entire drawing again. I corrected and adjusted lines by measuring the distance between edges on the reference photo, and then on the line drawing.
This step involves a lot of erasing. You can see faint smudges and even a few eraser crumbs around that off-side ear. That’s why I used an ordinary number 2 pencil. I can make light lines to begin with, then draw steadily darker lines, and I can also easily erase mistakes.
Besides, I have a drawer full of ordinary number 2 pencils; why not use them!
Step 4: Fine-tune the drawing
After that round of work was done, I went over the drawing again and fine-tuned it still more. I added interior details like whisker lines, creases in the fur, and other things. The outside lines are darker, but those interior details will help me when I get started with colored pencil work.
It took three days to develop this drawing of Thomas and I confess that when I stepped back and looked at what I’d done, I cried. It looked so much like Thomas.
That’s How to Draw Exactly What You See…
…even if it isn’t a still life!
As I said before, the book focuses on drawing still life subjects, but as you can see here, it can easily be adapted to other subjects. Even portrait work!
Whether you’re new to drawing or just looking for a better way to create line drawings, I recommend this book. You can get the first three chapters of How to Draw Exactly What You See – A Drawing Guide free!
You can also see my first trial with this drawing method.