How I Usually Start Landscape Drawings

How I Usually Start Landscape Drawings

Last week, I answered a reader who wanted to know where they should begin a drawing. Today, I want to answer the same question from a slightly different angle by telling you how I usually start landscape drawings.

How I Usually Start Landscape Drawings

In the previous post, I talked about general starting points like base layers, dark values, and light values. I listed them as three separate options, but they really work together on most projects.

So this post shows you how that looks with a specific drawing.

How I Usually Start Landscape Drawings

Landscapes almost always begin with an umber under drawing. Why browns? Umber base layers naturally keep landscape greens from being too vivid.

My favorite under drawing colors are Prismacolor Light and/or Dark Umber or Faber-Castell Polychromos Raw Umber or Walnut Brown. I have a nice collection of Derwent Drawing earth tones, too, but haven’t tried them as base layers.

Landscapes tend to take on a life of their own as I draw, making complex line drawings unnecessary, at best. So I begin landscapes with a very simple, basic sketch on the drawing paper, as shown below.

The initial sketch is drawn with an earth tone or with the main color in the landscape. Here, I chose green because that was the main color and because it scans more clearly even through the umber layers.

Dark Values First

I start the drawing by shading the base color into the darkest areas first. As I mentioned in last week’s post, starting with the shadows provides an excellent point of comparison for the middle values and light values. Even on colored paper.

However, it’s still important to work with light pressure and build up the values layer by layer. Corrections and adjustments are easier to make, and you also avoid the hazard of getting too dark too quickly.

How I Usually Start Landscape Drawings
Also notice the different strokes I used. Directional strokes to suggest grass, broad strokes with the side of the pencil in the hills, and circular and directional strokes in the trees.

Add Middle Values and Darken the Dark Values

Once the darkest values are in place, I develop the other values with additional layers.

If a drawing has particularly dark values, as this one does, I use a dark version of the same brown. I added Dark Umber to the Light Umber to darken the shadows.

Continue Developing Values and Start Developing Details

As I continue darkening the values, I also develop the most important details.

What I want in the finished under drawing is an art piece that looks finished on it’s own. So I fine tune the various parts of the landscape to create balance, a visual path, and interest.

Contrast is also important. The lightest values in a landscape are usually in the sky, so it’s important to get your shadows dark enough to give the landscape depth.

How I Usually Start Landscape Drawings
An under drawing is finished when it satisfied you. Some artists block in the basic shapes and values (a method that doesn’t work well with colored pencils.) Other artists like the under drawing to look like a half-tone image f the finished piece. I prefer something in between.

First Color

When the under drawing is complete, then I start glazing color. Usually, I choose colors that are light versions of the finished colors, and glaze them over the entire shape, as shown below.

But there is no “right way” to select colors.

Why I Start Landscapes Like This

If a composition fails as an under drawing, it goes no further. I’ve probably spent a couple of hours finishing the umber under layers, so I haven’t invested a lot of time.

If the under drawing can be improved (or fixed as is sometimes needed,) then I fix it now, before adding color.

If it can’t be fixed or improved, I start over with no hard feelings.

That’s How I Usually Start Landscape Drawings

My preference is to work an entire drawing at the same time so I can keep the light and dark values well balanced. I used to finish colored pencil drawings one section at a time, though, so it’s a matter of whatever works best for you.

If you need clarification, let me know.

Otherwise, have fun. You’re now at the fun part!

One comment

  1. Gail Jones

    This scenery class was so fun! And you are right…. these pictures can tend to turn into something a little different. Mine was a fun turn of events, if I remember correctly, with the low part turning into a lake area. Love the umber under drawings for scenery.

Leave a Reply

Your email address will not be published. Required fields are marked *

%d bloggers like this: