Master artists and others have been drawing studies to work out more complex compositions for centuries. It’s one of the most basic, most important, and most often neglected tool in the artist’s toolbox.
I should know, because it’s the tool I ignore more often. Why?
Because it takes time to draw studies, studies usually focused on parts of the composition I didn’t want to draw, and because I never thought I was that good at drawing studies.
NOTE: This post is based on my experiences with one of the last portraits in oils I did, but the lessons I learned apply to all mediums. In the years since, I’ve learned to draw from life, which improves my artwork at all levels.
It will yours, too. So read on!
But you know what? It turns out drawing studies aren’t all that difficult.
What’s even better? The more studies you draw, the better you get (and the faster.)
Why I Started Drawing Studies Again
Some time ago, I did something I never thought I’d do: Accept a commission of a personal portrait in oils. A large portrait.
It was a full figure portrait that included lots of flowers, an outdoor setting, and, well, a real live human being. Nary a horse in sight.
Like I said, something I never thought I’d do.
Because it was a long distance portrait, I worked from photographs. The photographs were high-resolution, and the work of a professional photographer. In other words, excellent references.
But that didn’t diminish the scale or scope of the portrait. Or the Fright Factor. (The Fright Factor, by the way, was huge!)
To prepare, I looked online for anything I could find relative to doing human portraits in oils. Among the things I found were a series of videos that were not only very helpful, but also motivating.
One of them was a Russian artist, Igor Kazarin. He works in oils and one of his videos features a head and shoulders portrait.
I’ve also found the tutorial videos of David Gray. He uses a technique similar to mine, so watching his videos was also helpful, and encouraging.
I watched at least one video every work day I had the time. Especially the drawing videos as I worked my way through the new commission.
Drawing Studies Help You Get Familiar With Your Subject
Those videos motivated me to start drawing studies of my subject. My hope was to get comfortable drawing these parts of the portrait, and gain confidence in my drawing skills. I wanted to get familiar enough to be able to paint with confidence.
So I started drawing some of the less scary things.
I chose this study of the subject’s handbag because I’ve discovered I can draw almost anything that’s organic, but give me something man-made and it’s a nightmare!
Once I got comfortable with the handbag, I also drew studies of the subjects eyes, and of other parts of the portrait.
Drawing studies came into play at all phases of this project, and even while I worked out the overall composition on gridded paper. If I had doubts about an area, I developed it as a more complete study.
Most of the studies involved unusual parts of the composition, such as the foot and sandal above. But I also worked out the details of more familiar, but complex areas, such as the palm fronds shown below.
Most of the studies were drawn while I was working on the line drawing, but I also did a few studies during the painting process.
You Can Do Drawing Studies to Improve Your Drawing Skills and Confidence
It’s not that difficult to get started drawing studies, as you’ve seen in my example.
Are you working on a drawing that has some difficult parts? Draw a few studies of those areas before you tackle them on the finished piece. You can do graphite studies like I did, or use colored pencils.
Maybe your next project is a portrait or commissioned piece that has you worried. Identify the parts that have you most concerned, and draw a few studies.
You don’t need to do large studies, or get fancy. The study of the eyes I shared above were all drawn on the same sheet of paper. And you don’t even need a lot of expensive supplies. A small sketch pad or inexpensive paper is sufficient. After all, these studies don’t need to be archival.
“But I’m not working on a complex drawing right now,” you say.
That’s okay. Do a few life studies instead. The drawing will do you good.
So how did the portrait turn out? Here’s the finished painting. All 24 by 36 inches of it!
Taking the time to draw studies of the parts I wasn’t sure about took a lot of time at the beginning of the process, but ended up saving time overall. The details I’d drawn studies for proved easier to paint than other areas.
It all contributes to improving your drawing skills, and that increases your confidence.
Both prepare you for the next big challenge on your colored pencil journey.