Some time ago, I asked and answered a selection of questions frequently asked by readers and students about colored pencils. Since this is Q&A Month, I’d like to tackle another set of reader questions: questions about colored pencil methods.
1. What Are Your Favorite Colored Pencil Methods?
For most of my drawings, I draw an umber under drawing first, then layer color over that. This is what I call the umber under drawing method, and it allows me to develop details and values without having to make color choices.
The complementary method is similar, but instead of using an earth tone for the under drawing, the under drawing is drawn with the complementary colors of the finishing drawing. An orange under drawing for a blue object, for example.
I also use a direct method in which I begin with color and simply build color layer by layer. This illustration shows the initial color lay in with the direct method.
As with choosing pencils, finding the method that works best for you is a matter of experimentation. You may find you like to vary the method from one drawing to the next. It’s just as likely your favorite method will end up being a combination of methods used by other artists.
In other words, there is no Right Way to Draw.
2. What Are the Best Ways to Blend Colored Pencils?
How you blend depends on whether or not you want to use solvents.
For most of my work, I blend by layering one color over another and letting the colors blend visually. I also burnish (drawing with very heavy pressure) with either a colorless blender (a colored pencil without color) or a light color of pencil.
I really prefer staying away from solvents, though. I like the look of colored pencil without solvent blending better in most cases.
3. Is layering the colors from light to dark generally better or does it depend on the look you want to achieve?
For most colored pencils, working from light to dark is the best way. The reason is that most colored pencils are translucent to some extent, so you can’t completely cover up colors with other colors. You can, of course, tint a darker color with a lighter color, but it’s impossible to cover it completely.
That’s also why I work around highlights at the beginning of a drawing instead of drawing over them. The only highlights drawn in this drawing are the reflected lights along the horse’s back.
Caran d’Ache Luminance colors are opaque, however. You can draw with white over darker colors and it shows up pretty much like painting white oil over darker oils shows up.
Many artists begin by drawing the darkest dark areas first, then working around them. There is nothing wrong with that method of working, so long as you remember to preserve the highlights.
4. Can Regular Colored Pencils be Mixed with Wet Media?
Yes. You can combine regular colored pencils with a variety of water media from water soluble colored pencils to watercolor, acrylics, and ink.
The only thing you need to remember is that the water soluble media should be used first. Colored pencils will work very nicely over watercolor, water soluble colored pencils, thin applications of acrylic paint or any other water soluble media. I’ve even used them over ink. I used brown India ink for this project, but any color would work.
Read Drawing with Colored Pencil over India Ink on EmptyEasel.
Read Using Prismacolor Pencils over India Ink on EmptyEasel.
The best way to discover what works for you is to try it. There is no rule that says every piece of art you draw has to succeed or has to be for sale. You can experiment and have fun!
So have fun!