I’m working on a colored pencil drawing and have too much color over an area. How do I remove color? Can it be fixed or do I need to start over?
My first response to any question like this is to tell the artist to take heart. In most cases, there is no need to start a drawing over, particularly if it’s nearly finished. There are ways to lighten or remove color and make corrections, even over heavy applications of color.
First, let’s take a look at a couple of ways to lift color. Then I’ll show you how to layer fresh color over the damaged area.
How to Remove Color in a Colored Pencil Drawing
Removing Color With Scotch Tape
Scotch tape is an ideal tool for removing color from a colored pencil drawing. You won’t be able to remove all of the color—some staining will remain—but you can remove a surprising amount if you’re careful and diligent.
Take a piece of Scotch tape a little longer than the area you want to work with.
Lay the tape sticky side down on the paper
Press it VERY LIGHTLY into place. If you press the tape too firmly, you run the risk of pulling up paper fibers in addition to color, so be careful.
Most tape is sticky enough to lift color if the color hasn’t been too heavily burnished. Even if it has been heavily burnished, you will be able to lift a lot of color. If you need to, use a couple pieces of tape.
The one thing you don’t want to do is tear the paper, so work slowly and carefully.
Removing Color With An Eraser
After you’ve done everything you can do with the tape, use a hard eraser (like a click eraser). A click eraser can be sharpened to a fairly sharp point that allows you to do more detailed color removal. Used in tandem with a color guard, you can remove color and create shapes or edges.
When I’m making corrections of this type, I usually use the tape on all of the area, then use the click eraser in more specific areas. This method creates a surface with gradating values and color and that makes it easier to seamlessly blend new color into old.
Remember, be careful. If you’re not confident enough to try the process on a drawing, lay down color on a piece of scrap paper and practice with that.
Adding New Color
Once you’ve lifted all the color you want to lift or can lift from your drawing, it’s time to add new color. Use the same methods you used to put down the original color. You will have to be more diligent in keeping your pencils sharp because you’ll be working over a “used” surface.
You may also have to use slightly more pressure than you originally used. But work slowly, use several layers of color, and carefully blend old and new.
I used several layers of medium to heavy pressure to lay down the color quickly over this circle. The darkest areas are quite thick and waxy. The middle values are less so. The highlight has very little color on it.
Now that the ball is finished, I’ve decided the highlight is too small. To make it larger, I need to remove some of the color.
I began lifting color with tape by pressing short pieces of tape over the highlight and gently lifting the tape. Because I put so much color on the paper and used such heavy pressure, I used more than one piece of tape.
Next, I used a click eraser and worked lightly over all of the highlight. I held the eraser like a pencil and moved it in circular strokes over the area I wanted to erase.
The first time, I started with the lightest area and worked outward into the middle values.
Then I cleaned the eraser by rubbing it on a scrap piece of paper until there was no color left on it. The second time, I worked only on the brightest area. Again, I used circular strokes and went over the highlight a couple times.
Here’s another ball. It was drawn in the same way the first one was. Lots of color applied with lots of pressure. Rather than lift color, I want to add color.
I layered indigo blue over the right three-quarters of the highlight using medium pressure. I also worked out into the black around the edges.
Next was Non Photo Blue. Again, I used medium pressure to add color to the right part of the highlight. I covered all of the area I colored with indigo blue. I also worked into most of the left part of the highlight.
Then I layered Powder Blue over the left half of the highlight with medium heavy pressure. As I moved into the darker part of the highlight, I decreased pressure and gradually blended the blue into the black surrounding the middle values.
Next was a layer of white, burnished over the brightest part of the highlight.
If I wanted to, I could layer blue over the rest of the ball, too, including adding reflected light to the bottom curves. It would be more difficult to add color to the areas with a lot of color, but it could be done.
The next time you find you’ve put too much color on part of a drawing, try this method to lift color, then make corrections. You’ll be surprised what you can do with a little bit of tape, an eraser, and some patience. Give it a try and let me know how that works.
Do you have a question? Leave a comment below.