Welcome back to this week’s series, drawing realistic landscape greens with colored pencil. Monday, I shared my favorite method for drawing realistic landscape greens in colored pencil, an umber under drawing.
Today, let’s look at a second method that seems counter-intuitive at first, but produces great results.
Using any shade of red to draw any shade of green is known as a complementary under drawing. When you use a complementary under drawing, you choose colors for the under drawing that are opposite the color wheel from the local (final) color you want to draw.
On this color wheel, the primary color red is opposite the secondary color green. As you move to the right from green to blue green, the complement moves in the opposite direction to red-orange.
If you have a completed color wheel such as this, it’s easy to determine which colors are complementary. Get a free blank color wheel and make your own color wheel. Of course, you can also purchase printed color wheels, but making one with your pencils is the best way to not only find the best complementary colors, but to see how your colors mix, since no two brands are the same in pigmentation or quality.
How to Use a Red Under Drawing
Drawing an under drawing with a complementary color is pretty much the same as for any other type of under drawing. Begin by selecting the red or reds that best complement the greens in the landscape. In the drawing below, I chose poppy red as the main color because it was the best complement. But I also used terra cotta in some parts of the trees because that was the best complement for those areas.
In the grassy field, orange was the best complement.
Whatever color I used, I used strokes to help define each area. Cross-hatching, circular, and squiggly strokes in the trees and short, vertical strokes in the grass.
Darker values were drawn by using multiple layers. I didn’t want to get too dark at this stage, so I used light to medium-light pressure throughout. That made it necessary to add several layers in the darkest places.
I added Tuscan red in the darkest values.
Note that the darkest darks and sharpest contrasts in and around the large tree. That’s because the large tree is the center of interest in this drawing. The strongest value contrasts and sharpest details are in or near the center of interest.
A complementary under drawing works with any subject. One of my favorite horse drawings is Green Pastures, which was developed with a complementary under drawing.
Here’s the complementary under drawing…
…and here’s the finished drawing.
The level of detail you include in your under drawing is up to you. For Green Pastures, I developed a lot of detail in the horse and left the landscape less detailed because the horse was the center of interest.
In the landscape drawing below, the large tree and its cast shadow were more developed at the under drawing phase than any other part of the drawing because it is the center of interest.
In either case, when the under drawing is finished, complete the drawing by layering color over the under drawing. This part of the process is the same no matter what type of under drawing you use.
Interested in learning more?
This drawing, The Sentinel, was created for a series of articles written for EmptyEasel.com. I’ve described the process in step-by-step detail in a series of three articles on EmptyEasel. Follow the links below to read the articles.
You can also download a free copy of Colored Pencils: The Complementary Method Step by Step.